
The other latest drama is what
will happen to Up All Night, now
that Christina Applegate has decided to quit the show, which was in the process
of going from a single-camera production to a multiple camera series with a
live audience. “It’s been a great experience working on Up All Night, but the
show has taken a different creative direction and I decided it was best for me
to move on to other endeavors,” Applegate said in a statement. “Working with
Lorne Michaels has been a dream come true and I am grateful he brought me into
his TV family. I will miss the cast,
producers and crew, and wish them the best always.” The comedy show has
struggled in the ratings, but since it’s from Michaels, and NBC pretty much
owes a lot to him, the only reason it survived into a second season was him and
–at first- it’s Thursday timeslot. But it’s faced an uphill battle behind the
scenes as well, with the exit of series creator/executive producer Emily Spivey
as well as original showrunner Jon Pollack. The series original concept was
about a family who were new parents, which was inspired by Spivey’s real-life
experiences of going back to work soon after giving birth. Applegate, a new
parent then, liked the idea as well. When Maya Rudolph was cast, the PR firm
idea was dropped in favor of Rudolph as an Oprah-like talk show host. The
concept was tweaked for season two, but somewhere between the season opener and
11 poorly received episodes (now on Wednesday) NBC, instead of pulling the plug,
said the show would go on hiatus, with everything converted to the three camera
system and return in the spring with five new episodes. With Applegate’s
departure, can the show continue or will –as some are already speculating-
recast?
But it does not stop there, as
most of their shows are some the lowest rated of the Big four networks, and if Community cannot get picked up for a
fifth season, NBC will have to find something to fill the hole that is three
hours of programming on Thursday. At this juncture the only show that has shown
any legs is Revolution, but the shows in its last month of a three month
hiatus, and there is no guarantee that anyone of those viewers who watched the
first ten episodes will come back for twelve more.
Sure, unscripted fare like The Biggest Loser, The Apprentice and The Voice
do well for them, but you can’t fill in every empty spot with them. And Rock Center, the Brian Williams lead
magazine show, is cheap, but it too does not bring the ratings.
NBC still has Hannibal, the Bryan Fuller created
thriller that reboots the Thomas Harris character of Hannibal Lecter from the novels, but little else to build a network
that is still in fourth place.
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